STRUCTURE
In stained solid Ash (Fraxinus excelsior) wood. Changeable feet tips in a kit (plastic or felt).

SEAT
Beech (Fagus sylvatica) plywood with Ash (Fraxinus excelsior) veneer, joined in slats.

FOOTREST
Curved, painted steel.

MAINTENANCE OF WOOD PARTS

For ordinary maintenance purposes, use a soft and dry cloth to remove dust. For greasy-oily dirt (fingerprints), we suggest treating surfaces with alcohol diluted in water, and immediately drying them with a soft cloth. It is best to avoid products containing acetone, chlorine and solvents, abrasive products, furniture wax and cloths with rigid fibres (linen and synthetic fabrics), which could ruin and/or scratch the surfaces. All these operations must be carried out with the utmost attention and without applying excessive pressure. Exposure to direct sunlight may damage the colour of the wood.

COVER MAINTENANCE - BONDED HIDE LEATHER VERSIONS

With hide leather parts, it is necessary to pay the utmost attention, since it is hard to clean stains out of them.Stains caused by liquids or other substances must be removed quickly, using an absorbent cloth. For a correcthandling of the product, we recommend to dust and periodically clean the surfaces with a soft wool cloth, to revive the hide leather. Twice or three times a year, apply - also with a soft cloth - colourless wax for vegetable-tanned leathers. Over time, the covers change due to the wear and tear of everyday use and to light exposure.

MAINTENANCE OF METAL PARTS (STOOL FOOTREST)

In order to maintain, over time, the aesthetic characteristics of these finishes, and to prevent oxidation processes, it is necessary to carry out maintenance operations punctually, methodically, and meticulously. For ordinary maintenance purposes, use a soft and dry cloth to remove dust. For greasy-oily dirt (fingerprints), we suggest treating the surfaces with normal liquid detergents for cleaning glass. It is best to avoid products containing solvents and/or alcohol, or cloths with rigid fibres (linen and synthetic fabrics), which could ruin and/or scratch the surfaces.

W 16 3/8” D 16 1/8” H 27 1/2”

Born in Milan in 1984. Graduated in 2006 from Milan’s Istituto Europeo of Design in Industrial Design. The designer gained experience in London working at Sebastian Bergne’s studio and later at Ross Lovegrove's. Since his return to Milan in 2008 he has been collaborating with his father Alberto Meda on projects for clients such as Kartell and Caimi Brevetti. Concurrently he has been pursuing his own personal Art and Design projects with other companies such Nilufar Gallery, Hong Kong’s Schoeni Art Gallery, Henraux, Luce di Carrara, Rossana Orlandi Gallery, Mint Gallery in London. His “Orme Cinesi” collection, which has been extensively published, was exhibited in Hong Kong at the Lane Crawford store, and was presented by Schoeni Art Gallery during the 2012/2013 Hong Kong ART fair.

REQUEST 2D/3D

Woody | Stool

Design Francesco Meda

Francesco Meda's variation on the classical wooden chair, this stool plays with the traditional form while stripping it to the essentials. The result is a minimal stylised structure in stained black ash solid wood with footrest ring in steel, with pewter colour paint finish. This stool is a light and bright seating solution suitable for convivial gatherings.

Made in Italy
Dimensions: H. 27 1/2 x W. 16 3/8 x D. 16 1/8"

SKU: WSG1WOANC

$1,525.00

Excluding taxes, assembly and delivery.

This is a Made-to-Order item, available in 18 weeks.

Create your customized item with our configurator:

More information View images

STRUCTURE
In stained solid Ash (Fraxinus excelsior) wood. Changeable feet tips in a kit (plastic or felt).

SEAT
Beech (Fagus sylvatica) plywood with Ash (Fraxinus excelsior) veneer, joined in slats.

FOOTREST
Curved, painted steel.

MAINTENANCE OF WOOD PARTS

For ordinary maintenance purposes, use a soft and dry cloth to remove dust. For greasy-oily dirt (fingerprints), we suggest treating surfaces with alcohol diluted in water, and immediately drying them with a soft cloth. It is best to avoid products containing acetone, chlorine and solvents, abrasive products, furniture wax and cloths with rigid fibres (linen and synthetic fabrics), which could ruin and/or scratch the surfaces. All these operations must be carried out with the utmost attention and without applying excessive pressure. Exposure to direct sunlight may damage the colour of the wood.

COVER MAINTENANCE - BONDED HIDE LEATHER VERSIONS

With hide leather parts, it is necessary to pay the utmost attention, since it is hard to clean stains out of them.Stains caused by liquids or other substances must be removed quickly, using an absorbent cloth. For a correcthandling of the product, we recommend to dust and periodically clean the surfaces with a soft wool cloth, to revive the hide leather. Twice or three times a year, apply - also with a soft cloth - colourless wax for vegetable-tanned leathers. Over time, the covers change due to the wear and tear of everyday use and to light exposure.

MAINTENANCE OF METAL PARTS (STOOL FOOTREST)

In order to maintain, over time, the aesthetic characteristics of these finishes, and to prevent oxidation processes, it is necessary to carry out maintenance operations punctually, methodically, and meticulously. For ordinary maintenance purposes, use a soft and dry cloth to remove dust. For greasy-oily dirt (fingerprints), we suggest treating the surfaces with normal liquid detergents for cleaning glass. It is best to avoid products containing solvents and/or alcohol, or cloths with rigid fibres (linen and synthetic fabrics), which could ruin and/or scratch the surfaces.

W 16 3/8” D 16 1/8” H 27 1/2”

Born in Milan in 1984. Graduated in 2006 from Milan’s Istituto Europeo of Design in Industrial Design. The designer gained experience in London working at Sebastian Bergne’s studio and later at Ross Lovegrove's. Since his return to Milan in 2008 he has been collaborating with his father Alberto Meda on projects for clients such as Kartell and Caimi Brevetti. Concurrently he has been pursuing his own personal Art and Design projects with other companies such Nilufar Gallery, Hong Kong’s Schoeni Art Gallery, Henraux, Luce di Carrara, Rossana Orlandi Gallery, Mint Gallery in London. His “Orme Cinesi” collection, which has been extensively published, was exhibited in Hong Kong at the Lane Crawford store, and was presented by Schoeni Art Gallery during the 2012/2013 Hong Kong ART fair.